Showing posts with label Saatchi and Saatchi. Show all posts
Showing posts with label Saatchi and Saatchi. Show all posts

Monday, August 31, 2009

Is Publicis Groupe a dead brand? The Wild Wild East Goes West IX

As my parting note from Paris, please read the following post from Seth Godin here, and then my non-encounter with Publicis Groupe afterward. Seth Godin is a best selling author on marketing and regularly conducts seminars with Fortune 500 marketing staffs.

Brands that matter

In this era, there are two questions every marketer answers:

Do I want people to interact with me and my brand in unexpected ways (as opposed to just quietly consume it)? When they interact, do I overwhelm people with delight worth remarking about?

If you think about dead brands like Tide or United Airlines, the answer to both questions is clearly 'no'. On the other hand, vibrant growing brands manage to answer both questions with a resounding 'yes.' It's not an accident and it's not easy, but if you do it right, it may be worth it.


Paris, Publicis,  Groupe, Marcel Blaustein-Blanchet, Seth Godin, Charles De Gaulle, Harry S. Truman, Leo Burnett, Saatchi and Saatchi, On our trip through Paris I had it clearly marked on my itinerary that I wanted to stop by Publicis and talk with one of their International directors about the concept of Infinite Wisdom and how we might work together in Asia and other markets. For those who may not be aware, Infinite Wisdom is our combination of a marketing partner with a traditional management consulting firm providing market research, in-depth brand analysis, brand design and marketing solutions to clients and agencies alike. It's a concept that neither traditional agencies nor management consulting firms have been able to bridge and I thought that certainly someone there would be interested in exploring at least the idea. It's a client-centric idea that pairs analysis and marketing execution together in a way that makes executions the direct result of the marketing plan.

In any case, we could be producing rubber stamps that you use to make cost effective Post-It note business cards and if nobody has ever done that before it seems that someone at the world's third largest communications holding company might be interested in that idea - if you could find them.

So off I went, on a personal visit to the groupe to see if I could find an international director, regional director or discipline specific director to speak with.

Cut to the offices of Publicis Groupe on Avenue des Champs Elysées in Paris, just a stone's throw away from the Arc de Triomphe . They're a fairly faded retail glitzy affair complete with a coffee shop and multiplex movie theatre that at street level, if you didn't know it, could pass as a rather non-enticing mall effort, anywhere in middle America. A museum like display of the founder, Marcel Bleustein-Blanchet, tones things down a bit once in the lobby and one of the desk attendents finishes a cigarrette outside to come in and care for my request, which in English, befuddles the attractive female receptionist behind the actual counter. A baffling display of company owned logos including Leo Burnett, Saatchi and seemingly all their subsidiaries try's in vain to explain what the company actually does but it's plain to see that the founder's black and white photographic relationships with everyone from Charles De Gaulle, to Harry S. Truman carries the weight around there not to mention the more than toney address that more than undermines the cheesy facade that was certainly not designed by Frank Gehry, let alone the country's design L'enfant Terrible, Philippe Starck.

"Tell me again he says", as I try to explain the nature of my business and that I certainly do not have an appointment but am simply looking for the right person with which to have an appointment with. He then tells me in no uncertain terms that they are not able to give out the names of anyone who might be working in the building and then relays to me a telephone number that I should call on a yellow sticky note. I ask with whom should I speak and he says he doesn't know but just to call it. Later, I learn it is the general number listed in the phone book. Thank you.

The next morning I call the number and, unless I made a mistake in thinking they were an "international" firm was reasonably baffled by the succession of non-english speakers I was forwarded to in response to my request. And if you're wondering why I just didn't send an email, so am I. The parent company website succeeds in being a company brochure but seems to let interactivity and any shred of real information fall by the wayside. They even show the most cursory form of professional disrecpect to anyone interested in the firm by listing "webmaster" as the primary email contact for the firm. Embarrasing for a communications company? You tell me.

After the parade of operators who most certainly had decided that the best English speaker could do the best job, they settled on a Mr. Robert Fridovich, Director of Marketing Communication. With all due respect to Mr. Fridovich, because I really did feel he was a nice man, he seemed perplexed with the idea that anyone would call the company looking for anything. I asked for his email and said that I would send a detailed note of my request as well as my full background and contacts - and I did not forget to mention my previous association with Leo Burnett.

Anyone who knows me knows that I'm a bit of a detail geek and certainly a good salesman so I did feel confident that the note I sent would give him the information he needed to make a recommendation. But it didn't. So I sent yet another detailed note with some possible working scenarios in which his company and mine might benefit. And then, a two day wait.

In the end he came up with nothing.

The reason I was given was that there were no cross agency brand responsibilities assigned to any one person and that I might do better searching the individual agency websites for contacts - so basically, back to square one. In essence, despite a trip to Paris, and indeed a trip to the home office, I had failed in coming up with anyone I didn't already know in the organization.

Thinking of Jana O'Brien's (our Nintendo research head at Burnett in Chicago) encouragement that I, "Just keep on trying", I chided myself with the fact that I had failed to ask for a meeting with Mr. Fridovich himself, knowing that a face to face meeting is always the best way to make an impression and encourage a conversation between both parties - until I realized that that was his responsibility, or at least the brand's and not really mine. In terms of interactivity, the brand itself should have reached out to this consumer and made the experience easier. And both parties could have benefitted - and the brand would have been reading another blog post entirely, instead of this one.

Mr. Fridovich, if you're reading this, thanks for giving it a shot - because it seems that in this case, you didn't fail - but your brand did. Take a good clean, objective look at how your web presense, your front desk demeanor and your telephone response deals with interactivity - and ask yourself, and your superiors, if Publicis Groupe couldn't be doing a better job. Brands die daily in the face of Web 2.0 and beyond, because if interactivity and pleasant brand experiences don't start at the communications company, how are you ever going to instill those disciplines in the consumer brands, your agency brands represent?

Thanks to Seth Godin for the motivation here. I was just going to let this one pass but thought again after reading Seth's post.



For more in the WWE Goes West Series check here:

I) The Wild Wild East Goes West: Onward Ho!
II) Frankfurt
III) C'est Si Bon
IV) Bon Jour Paris!
V) Les Picassos en Paris

VI) Nothing Much Happened en Paree Today
VII) Paris Wallpaper: Sometimes The Best Prayers Have No Words
VIII) Au Revoir Paris
IX) Is Publicis Groupe a Dead Brand?






Saturday, December 20, 2008

The Vietnam Advertising Festival: Young Lions Stage a Coup at the Zoo

Thank the young lions, for making a day at the zoo a real hot spot for the future of Vietnam Advertising. The Young Lions are a group of young ad professionals who exhibited their work at the Vietnam Advertising Festival held at the Ho Chi Minh City Zoo on Friday and Saturday of this last week - sponsored by the Vietnam Advertising Association and Sunflower Media. In keeping with my review of The BIG SHOW a few weeks ago, I'll continue the format of dividing this piece up into it's respective parts of The venue, The work, The participants and The result. These are basically what make up an advertising industry event and aside from your opinion, and there are many, probably what one experiences in the final evaluation.

The venue:

If you had your choice of cages between the ones featured at The Cage Bar, where the BIG SHOW was hosted, or the ones at the HCMC Zoo, go for the zoo. Providing a walking boulevard approach, flanked by banners and posters for the event, the entrance to the zoo both calms and excites as visitors are drawn in to what ends up as a small stage surrounded by viewing areas for the exhibits with not a cage to be found in the proximity. On this promenade, jugglers, caligraphers and graphiti artists line the walks and invite the guests to interact with the event whilst the strains of a punk band screetch through a rapid-fire rendition of Jingle Bells - not particularly original but a certainly spirited rendition. My trip to the zoo occured on Saturday afternoon, so avoiding the Friday start and pontificating and officiating that so often go along with these things was probably a good idea.

Once drawn to the viewing area the "festival" as it was billed, divided itself up into three distinct display areas for three distincly different shows, starting with the Vietnam Young Lions exhibit, an exploration on recyclable, reusable and decidedly green concepts, organized by Sunflower Media. This for me was the absolute highlight of the entire event, in terms of actual work, and I'm only sorry that neither the Young Lions website nor a non-existing website for Sunflower is able to show you any of the work. Photos and bios of the participating teams were shown, the TVs worked well to show the film concepts, and the work was presented at a size that made it a joy to view - BIG - not little bitty double-truck ads lost on a wall of white space.

The second and least thoughtfully designed area was designated for the Vietnam Advertising Association's Golden Bell awards and overall I found it a boxy disappointment. None of the TVs were working and most of the smallishly mounted ads lacked appropriate translations for the International audience they sought to attract through the Saigon Times.

The third area, with large format image-changing kiosks at it's center, was home to the Cannes Lion winners of 2008. Packed full of inspiring work and all images of museum display size and quality things were easy to understand and enjoy. Also, all the credits and detail information for the winning work appeared in both English and Vietnamese.

The work:

The Young Lions were the hit of the show in my book. Hopefully their website will be able to show the great number of excellent concepts that went into their environmental campaigns. It seems also that props should go to Sunflower Media for coraling, scheduling and presenting this effort in an extremely professional manner. My favorite ad excecution involved a shot of a discarded Pepsi can and a string of copy solutions as to what the can could become after it's life as a softdrink dispenser, including, last but not least - a can of Coca Cola. Refuse reincarnation in the ultimate sense.

Looking at the Golden Bells presentation left me wondering what I was missing. Where was the Child Helmet Campaign described in winning announcements and where in the hell were the Vietnamese advertising agencies? Aside from one of the judges describing to me that the jurying was "surprisingly non-political" and impartial, is someone going to tell me that not a single entry from Golden, Storm-Eye or Dat Viet (VAC) could make the cut? Methinks not. I suspect that, just as last year, many agencies did not even enter the show and that could have been due to high fees, political wrangling of thousands of egos, or simple lack of proper timing and promotion on behalf of the organising committee. This year the Golden Bells were held in stealth fashion and only allowed to be viewed through the prism of an edited and time delayed TV program that could not have done much to have encouraged the comaraderie, competition and cohesiveness that are very much needed in the industry now. The presentation at the zoo did nothing to advance the prestige of the event nor to encourage agencies to enter in the future. Rather than looking like something one wanted to be a part of, it looked alone, incomplete and uncared for. None of the TVs worked and aside from a guestbook one could sign had no interactivity whatsoever. What about computer to highlight digital work? What about a website for the sponsoring organization or the show itself? Nuff said.

What can one say about Cannes winning work? Plenty, but suffice to say it was all inspiring on different levels and made one just want to work a whole hellovalot harder starting immediately - or get a brain upgrade - immediately. What stood out for me were the two print campaigns from Saatchi and Saatchi Vietnam. World class work being done right under our noses and not a peep out of the Golden Bells about it. Something doesn't add up there. The Cu Chi Museum campaign scored on the marriage of art and copy and whilst I didn't think there was much breakthrough in the Western Union campaign when I saw it at the BIG SHOW, I can understand what the judges liked about it and agree with them. The message of the Canne presentation this year was simple: You can do world-calss work right here in Vietnam.

A few years ago our agency, CarlsonCreative, in Seoul brought the New York Art Directors Show into town because we had gotten one tiny little bit of direct mail in it. We comandeered an art gallery for a week, got all the press and TV out and pretty much put it in the big agency's faces - Cheil, O&M, JWT and the like that a little 4 person shop could score on Madison Avenue. During the show the gallery owner came up to me and asked "How come none of the big agencies have ever brought a show this big to town and you did?" "Because we can", I answered, "because we can". Saatchi has just fired a warning shot over the bow of all the agencies in town. Because they can. Will anyone take the bait?

The participants:

The Vietnam Advertising Association: Huge points for just getting this thing off the ground and making a real go at promoting, educating and stirring the fire up in the business. Many points subtracted for poor promotion, no website and a fragmented effort on the Golden Bells.

The Young Lions: I've said enough already. I hope they just keep doing.

Sunflower Media: Although it's hard to know where where responsibilities begin and end between large groups of people, it's obvious that Sunflower's attention on the Young Lions effort was right where it needed to be. Professionnal and on target. But they need a website. Hello 2009?

The result:
The results of the efforts, I suspect, will result in the country becoming the most professional it has ever been in the industry - you could see it in the faces and comments of the students who attended the show, shot the hell out of it with their cel-phones, and wrote in the guest books. Maybe I missed all the big agency big-wigs by attending on a breezy Saturday afternoon Instead of a Friday morning but luckily the breeze was not blowing from the elephant house, so the amount of crap I had to deal with was probably significantly less than I would have, had I allowed a bunch of agency blokes to chat me up.
In the future it would be nice to see a morphing of this event and the Golden Bells together. It seems unessessary to do an event for filming and an event for attending. Last years Bells were a horrible TV taping affair with a house full of bussed-in college students - enough to fill a wide angle lense and essentially nobody in the industry was there unless they were getting an award. I can't imagine this year was any different. Put on a good event, film it, reality show style and I'm sure a talented TV producer can cut it all up into a watchable hour- minus the gawdy dance routines.
As far as the educational aspects and being able to bring creative interaction into the scene during the year, I am working with a group of talented individuals from all around the industry, with a particular focus on Internet and digital. Hopefully we be able to get our first event off in the spring and augment this excellent starting effort. If you have ideas or would like to contribute, please do let me know.

The Wild Wild East Dailies


D a v i d E v e r i t t - C a r l s o n
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