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I bring this up after a conversation with a Vietnamese firm about a design project in which the client was wanting to play on a world stage but the branding firm wasn't ready quite yet. Here a local firm, tops in their field, was running up against the Achilles heel of Vietnamese thinking - can a country that always competes on low price, ever break free of those economic chains and begin to make money by offering world class quality with Vietnamese flair? I believe they can, but I can tell you first hand, that there is absolutely no money to be made in trying to teach people that. That is a decision that students of all kinds, and certainly students of prosperity, must come to on their own.
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But luckily, a few of the multinational agencies are showing that the Vietnamese can do it and the Sun Flower Media company is sponsoring the Cannes Young Lions student competition here. Above, see Ogilvy & Mather Vietnam's campaign for motorcycle helmet wearing. While a little shock-valued for my taste the campaign was widely published in print, TV and outdoor and won international awards - bringing international kudos to the work of Vietnamese creatives. Two other campaigns from Saatchi and Saatchi Vietnam won Bronze Lions at Cannes - One for the Cu Chi Tunnel Museum and the other for international client Western Union. And where were the Western Union creatives from New York during this exercise? Apparently taking a nap while the Vietnamese cleaned their international clocks. The saying in New York goes, "If you can make it there, you'll make it anywhere", but I like to think we can do that here in Vietnam as well.
Many of us
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This story made the Wall Street Journal 'Best of theWeb Today' on October 12, 2010. Scroll down through the Nancy Pelosi story under the heading: 'Questions Nobody is Asking'. We're the first story listed.
Interesting to learn that about Vietnamese ad agencies. Also interesting to see English with Vietnamese tone and vowel marks. Why so? And BTW, it's Achilles heel.
ReplyDeleteyes, they dont win awards cos they dont see the value in them. i tried to get 100 bucks for an entry into "the golden bell" as a test once, just to see if the management would say... the answer was no, "dont see the point". sure this was the golden bell awards and hardly worthwhile apart from some local kudos, imagine asking for 500 or 1000 bucks for an award entry, which doesn't directly add to their profit margin.
ReplyDeleteHere's a little math for the boys. Let's say you spend $5000 a year on awards shows - and that gets you anywhere up to 25 or so entries, depending on the cost of the show. How many ads can you buy for that? 2? How much PR? And you win 1 out of 20 - and then write the headline "Vietnam agency wins New York Award", and send it out to the press. We did that in Korea after winning just once, and then brought the New York Show into town (for another $400). The benefits to our bottom line were immeasurable. We got front page business press in all the major dailies. We got a CNBC film story (5 minute feature). We couldn't have bought press like that, so we won it. And that helped us win business. Ask management what it's worth to be on CNBC? If they never enter, they never win, and they'll never know how to play like a winner - and be paid like one.
ReplyDeleteThanks for the spellcheck! The accent marks and hand-painted style are the art director's brilliance in using old Vietnamese hand painted signs as a reference.
ReplyDeleteindeed but the creative has to be good and original before it could get near any awards, and there is still a long way to go. even the multinationals cant get it right, the local agencies are years behind in terms of talent development.
ReplyDeleteYou have completely not mentioned culture, as a collective society and not an individualistic society, their concerns are less about awards, ego and the rat race that most westerners follow. I think that's abmirable in this day of cut throat competition and the major buyouts in the industry.
ReplyDeleteIt has nothing to do with talent